Also See for Maschine Manual - pages Getting started - pages Getting started manual - pages. Table Of Contents. Table of Contents. Previous Page. Next Page. Page 2 The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH.
The software described by this document is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.
All rights reserved. Page 4: Table Of Contents Disclaimer Page 5 3. Page 6 4. Page 7 6. Page 9 9 Using FX Page 10 Page 11 Page 12 Page Introduction You can sample your own material, slice loops and rearrange them easily. However, MASCHINE is a lot more than an ordinary groove box or sampler: it comes with an inspiring 5 Gigabyte library containing over kits and 14, samples, and a sophisticated, yet easy to use tag-based Browser to give you instant access to the sounds you are looking for.
Page About This Manual. If it appears to be mal- functioning, discontinue use immediately and have it inspected by qualified service personnel. Page Disposal Notice The information contained in this manual is believed to be correct at the time of printing or digital release. However, Native Instruments reserves the right to make changes to the speci- fications at any time without notice or obligation to update existing units.
Page Installing Maschine 1. Page Activating Maschine Page Connecting The Maschine Controller 1. Page Maschine Controller: Overview 1. Virtually all functions are available on both interfaces and you can access them through the software as well as through the hardware. In this document, we use the new names, followed by the older ones in brackets if necessary. Page The Header 1. Page The Browser 1. Page The Control Area 1. Page The Sampling Area 1.
Page Basic Concepts Sound are available. Page 31 This is where all audio signals from each of the Groups and Sounds come together and get mixed. The Master bus can also host two Insert FX of its own. Page Common Operations This is helpful if you have a small display connected to your computer, or want to concentrate on one element without being distracted by the other.
To bring it back, press Button 5 again. Page Undo And Redo 6. Note: If you save your Project, you will no longer be able to Undo or Redo any actions For further information on plug-in compatibility and for a detailed description of how to use plug-ins in your host, please refer to the docu- mentation included with your host software. Page Preferences 2. Page Preferences - General Tab 2. Recording Audio Page Preferences - Libraries Tab 2. Page Preferences - Hardware Tab Pad hard to get a big velocity value.
Page Audio And Midi Settings 2. Click this button to open the settings dialog of the selected ASIO driver. Select the Inputs of your audio interface on the right column by Page Send Midi Clock 2.
This could be hardware such as a drum machine, another groovebox or sequencer, or even another software sequencer. This is done by tagging them, which means cat- egorizing them by using keywords.
By clicking on one of them, it causes only the files of the selected type to be displayed in the Search Result List. With the Subtype, you can narrow down the description of Subtype your file even further. A dialog will appear asking you if you want to save changes to the currently loaded Project. Page Locating Missing Samples Browser and dropping them on the desired location. The supported file types are Wav and Aiff. Page 57 Browser. After pressing Import, you will be presented with the Tag Editor to tag the Sample s you are about to import to the Library.
With Quick Browse you can restore the query with just one click. Page Using Quick Browse Search Result List if you click on the Magnifier Tool next to the file name in the respective Tab, but they will not be loaded automatically while browsing them.
Read more about the Quick Browse function in section 3. Page 67 If you choose the S model see above , you can fur- ther shape the emulation model by activating a filter here. Note: if Oneshot is activated, the following param- eters will not be available! Page Fx And Filter Settings SR stands for sample rate: you can use it to lower the orig- inal sample rate in order to give a Sound a lo-fi touch.
Allows you to lower the original bit rate of the Sound, re- sulting in a more rough, digital sounding lo-fi effect. This allows you to modulate Volume, which is what Velocity olUmE normally is used for.
Page 81 Solo a given sound such as a kick drum, then build the track up again by bringing the muted sounds back in one at a time with the MUTE button.
Only REX2 files are currently supported. Hardware Select an empty Sound by pressing its Pad. Page 89 2. Select the Source tab SRC and click on the arrow to open the dropdown menu. The dropdown menu in the Source tab 3. The de- fault value is 16, the minimum 1 and the maximum 32 olyphony voices. This Button allows you to invert the Swing function so that instead of a long note followed by a short note, the oppo- nvErt site is true.
Please refer to the manual of your DAW software for more information on that. Press the Return key to confirm. Some hosts will catch the Enter key, as it is mapped to some function of the host software. Other than that, previously loaded Patterns will not be removed, enabling you to try out a Pattern using different Sounds. PGM and. Page Importing Mpc Program Files 5. Navigate to the MPC Program you want to import and double-click it.
Page If you only want to import a single Bank choose this option. Use the dropdown menu to the right to select which Bank mport InGlE you want to import.
Click OK to start the import procedure. It comes with a complex, yet easy to use Pattern Editor and sophisticated au- tomation possibilities. Page Input Mode Grid value. Input Mode also allows you to select a fixed velocity value for the Pads so that the selected Sounds like drums will play at the same volume no matter how hard you hit the Pads.
Page The Base Key can also be changed by using Buttons in Keyboard mode: Buttons will shift the Base key in Semitones, while Buttons will shift it in octaves. Page 16 steps by using Buttons 7 and 8. To switch to another Sound, use Buttons 5 and 6 located above the Right Display, or press and hold Select and the Pad of the Sound you want to switch to.
Page Using Note Repeat Note Repeat is a really funky way to play percussion and drums live creating build-ups and breaks. Page Recording Automation 6. Page Step Grid. Page Editing Patterns Sound. Alternatively you can select Sounds using the Pads. If no events are selected, all notes in the Pattern will be affected. Page Selecting Patterns And Pattern Banks A6 are the ones that have content but are not selected, the empty ones all others starting with A7 being the darkest ones.
This is useful if you want to try out a Pattern with different Sounds. They will be applied according to the selected Step Grid. Page Mouse Actions In The Pattern Editor The other way round, left-clicking on a note and moving the mouse cursor with the button pressed will erase all notes under the Mouse cursor.
Click on the Zoom Tool and drag upwards to zoom in and downwards to zoom out. The new state will be confirmed as soon as you select another Pattern and the asterisk will vanish. Almost all parameters are automatable, the exception being all Buttons. Page You will see that they keep their relative distance although they change their absolute values. Double-clicking creates an Automation event and replaces the others on this Step.
If you want to automate Group parameters, just click on the Group Tab in the Control Area to be presented with available parameters of the Group. Page To adjust the Pattern Length, click on the number in the right part of the Pattern Length Control, then drag it upwards to extend the Pattern or drag it downwards to shorten it. Page Control-click on the Pattern icon. If notes and events are selected, the quantization will only affect the selected ones; if no note or event is selected, the whole Pattern content will be quantized.
Click and hold the Arrow on the left in the Header of the Pattern Editor. A dropdown menu will open. Output Mix lets you adjust the amount of the effect in relation to the dry original audio signal. Page Limiter Limiter, but it specifically designed for increasing the perceived volume. Page Filtering Filter with selectable characteristics that can be modulated via LFO or envelope follower. There are many applications for a filter: it can be used to emulate a synthesizer more realistically or to filter out selected frequencies and create filter-sweeps.
Page Adjusts the start phase of the LFO. Click I nstall to continue. Please refer to the Service Center Quick Start Guide included in delivery for all information on that matter. Virtually all functions are available on both interfaces and you can access them through the software as well as through the hardware.
In this document, we use the new names, followed by the older ones in brackets. You will also learn how to set up your audio interface and how to connect MIDI devices. A Sound can hold either a single Sample or multiple Samples mapped across the keyboard. Sounds are organized in Groups see the Groups paragraph below. Two Insert FX and six pages of parameters per Sound are available. A Group contains 16 Sound Slots, each of which can hold one Sound.
It can have up to two Insert FX and up to 64 Patterns assigned to it which are organized in four Banks. A Pattern is a sequence that plays Sounds from the current Group. A Pattern is therefore usually linked to a Group since it is a part of the Group; however you can also save it independently from the Group.
This is useful if you want to try out different drum kits with the same Pattern or different Sounds with a given melody. A Scene represents a combination of different Groups with their associated Patterns.
Scenes are used to chain patterns in order to build up a finished arrangement, or to trigger different parts of a Song while you are playing live. This is where all audio signals from each of the Groups and Sounds come together and get mixed.
The Master bus can also host two Insert FX of its own. The Fullscreen View is also available from your computer keybord via the F5 function key. This is helpful if you have a small display connected to your computer, or want to concentrate on one element without being distracted by the other.
In some situations, the Control Area consist of more parameters than the displays can show at once. In these cases, the number of Parameters is divided into several Parameter Pages that you can easily navigate with the Hardware and Software. Whenever there is more than one Page, it will be shown on the right of the Right Display like this:. Moreover, if there is another Page available to the left or to the right of the current Page, the corresponding Page Button will be lit on your Controller.
Note: If you save your Project, you will no longer be able to Undo or Redo any actions performed before saving! On the Software, use the common keyboard shortcuts for the Undo and Redo functions. For further information on plug-in compatibility and for a detailed description of how to use plug-ins in your host, please refer to the documentation included with your host software.
In contrast to the stand-alone application, they are always synced to the host. To switch from one instance to another in plug-in mode, press Shift and Step; using Knob 5 you can now select the desired instance and load it by hitting Button 8. P refer P roject F older. S ync O ffset S lave. To compensate for that, you can adjust this Sync Offset Slave value in mil-.
As soon as you can hear a flanger-like effect, you know you are close to the correct Sync Offset Slave value. Keep on adjusting the Sync Offset Slave until you can neither hear the flanging effect nor two separate signals. The Defaults Tab allows you to define a few default settings that will be used for every new Project. By clicking on the folder icon to the right, you can jump directly to the selected directory.
Click ADD to manually add directories to the Library; keep in mind that any MASCHINE-compatible files in those directories will not be tagged if you add them like this see the Browser chapter for more information on tagging your files.
Use the S ensitivity S lider to adjust how sensitive the Pads. V elocity S caling determines how your playing is translated into. You also have access to these settings from the Hardware. In this Display Mode, the Left Display gives you access to all of the settings described above, with the exception of the V elocity S caling. The Knobs. This allows you to choose available devices if you have connected more than one audio interface. Lower values result in a more immediate playing response but are heavier on both the CPU and the audio driver, and may result in audible clicks and pops.
Larger values are easier on the CPU, but introduce a larger latency i. You should therefore experiment with this setting so that it is as low as possible without overloading your CPU or introducing any audio artifacts. Click this button to open the settings dialog of the selected ASIO driver. Select the Inputs of your audio interface on the right column by clicking on the fields: you will be presented with a dropdown menu with all the available Inputs.
The choices made here will determine which Inputs can be used when sampling external sources, for example. By clicking on Outputs, you will be presented with a list of the eight stereo outputs from MASCHINE: in the right column, you can assign them to the outputs of your audio interface via a dropdown menu. You can activate each Input by clicking in the Status column. You can activate each Output by clicking in the Status column. Delayed MIDI clock data will cause external devices to respond too late, thus making your track sound out of sync.
Adjust the Offset value to set an amount of latency to be compensated in milliseconds. This could be hardware such as a drum machine, another groovebox or sequencer, or even another software sequencer.
Welcome to ManualMachine. We have sent a verification link to to complete your registration. Log In Sign Up. Forgot password? Enter your email address and check your inbox. Please check your email for further instructions.
Enter a new password. Native Instruments. Table Of Contents 1 Introduction Documentation 15 1. Name Plate Location 15 1. Serial numbers 15 1. Using the unit safely 16 1. Disposal Notice 17 1. Specifications subject to change 17 1. Copyright 17 1. Disclaimer 17 1. System Requirements 18 1. Controller: Overview 22 1. Software: Overview 24 1. The Header 25 1. The Arranger 25 1. The Browser 26 1.
The Control Area 27 1. The Pattern Editor 28 1. The Sampling Area Operations 32 2. Switching Views 32 2. Showing and hiding user interface areas 32 2. Navigating Parameter Pages in the Control Area 35 2. Undo and Redo 36 2.
Switching Instances with the Hardware in Plug - in Mode 37 2. Preferences — General Tab 39 2. Preferences — Default Tab 41 2. Preferences — User Paths Tab 42 2. Preferences — Libraries Tab 43 2. Preferences — Hardware Tab 44 2. MIDI Settings 45 2. Audio Tab 45 2. Routing Tab 47 2. MIDI Tab 48 2. Browser Mode Selector 52 3. File Type Selector 52 3.
Tag Filter 53 3. Text Search field 54 3. Search Result List 54 3. Locating missing Samples EQ Grain Delay 8. Grain Stretch 8. Resochord 8. Distortion 8. Lofi 8. Saturator 9 Using FX FX to a Sound 9. FX to a Group 9. FX to the Master 9. FX to an external instrument 9. FX automation 9. FX Presets 9. FX 9. Special Paragraphs The manual uses distinctive paragraphs to point out special facts and to warn of potential dangers.
The icons included in the paragraphs let you see what kind of information is provided:! This information may often help you to solve a task more efficiently, but does not necessarily apply to the setup or operating system you are using. Special Formatting This manual contains some elements that appear in a different font type. In this document, we use the new names, followed by the older ones in brackets if necessary.
Patterns A Pattern is a sequence that plays Sounds from the current Group. To bring it back, press Button 5 again. The Browser Button in the Header. The Control Area in full size. The Automation View Switch 2. The display of available Pages in a Group Output Tab Moreover, if there is another Page available to the left or to the right of the current Page, the corresponding Page Button will be lit on your Controller.
Software On the Software, use the common keyboard shortcuts for the Undo and Redo functions. S ync O ffset S lave I nput C hannel. To compensate for that, you can adjust this Sync Offset Slave value in mil- liseconds. Pattern Length B eats Here you can define the default length of the Patterns. Adjusting the Settings from the Hardware You also have access to these settings from the Hardware. D river D evice S tatus S ample rate L atency.
Select your audio driver here. This shows you whether your audio interface is currently running. The currently selected Sample Rate of your audio interface.
I nputs O utputs. I nputs O utputs O ffset. You can only view or download manuals with. Sign Up and get 5 for free. Upload your files to the site. You get 1 for each file you add. Get 1 for every time someone downloads your manual. Buy as many as you need. View and download manuals available only for.
Register and get 5 for free. Upload manuals that we do not have and get 1 for each file. Get 1 for every download of your manual. Buy as much as you need. Page 6: Velocity Destination and Modwheel Destination Supported parameters from MPC Programs Create variations of your drums in the Step Sequencer Set up your own Multi FX Groups and automate them Using the Loop Mode to cycle through Samples If this option is checked, the last Project you worked on.
R eload last P roject. If this checkbox is marked, the Samples you record will be. Here you can define the default length of the Patterns.
0コメント